Art History

2007The selected motion pictures of Hans Memling and Raphael are united by the similar writing , for they attract everlasting(a) Mary , however , this similarity also diagrammatically emphasizes the significant differences in their means and proficiency . To start with , Hans Memling was a 15-th deoxycytidine monophosphate Netherlandish painter , aligned with the Bruge school . His scarper spread over shame with Martin van Nieuwenhove indicates a strong influence of the zeal of some other Netherlandish painter - Rogier van der Weyden , which is known for its form-only(prenominal) exquisiteness , combined with melodramatic intensity . Instead of robust Campin s depicts , some(prenominal) Rogier and Memling used stretch processed shapes . In this picture Memling s bally(a) shame is nearly in the centre of the canva s . Her ovate and very proportional count is further elongated by the cloth that runs down on both sides of her face . Her figure can nearly perfectly be inserted in a triangle . This creates formal idol of the picture , which conveys the sense of congruity Furthermore , it is acknowledgmentistic that the selected painting depicts Martin van Nieuwenhove as bloody shame s pip-squeak . Memling was famous for his dictation in painting portraits , therefrom he depicted his giver Martin van Nieuwenhove as JesusThe Italian painter Raphael belonged to the Florentine school of painting . His canvas limning Madonna with Jesus and thr matchless the Baptist indicates the impact of da Vinci s pointed structures at the same date unmistakable is Raphael s style of round , spherical shapes and warm color . The motive of young lav the Baptist , who is depicted as an babe , is a typically Florentine musical composition . A distinguishing let of this Raphael s picture is its dynami c character : the inner energy of Virgin Mar! y and two forebode children is expressed in elegant and gracious moves (whereas Memling s Madonna is horrible and staticThe theme of Madonna and her child is a Christian magnetic variation of the recurring theme double-dyed(a) and child in art , which was set up in Egyptian , Greek and Roman art .

The painters in the 15th and sixteenth century must have been attracted to this theme , because art in that period was largely devoted to spectral subjects . According to the present moment Council of Nicea , the image of Jesus and his experience were to be venerated , and since that time Madonna and the child became one of the near pop ular subjects within European visual art (3Comparison of da Vinci s The Last Supper from the 15th century and Tintoretto s Last Supper reveals significant growing in painting style and technique , representation of the pitying figure , religious theme and artist s position in societyIn terms of technique , da Vinci s painting is remarkable for its pragmatism , which is grounded in his profound familiarity of biology physiognomy and technical laws of survey etc . For this canvas Leonardo decided to use not the handed-down fresco technique , but the dry or tempera technique , which allowed him to work in fits and starts and paint for more than formerly on one surface (and later caused tremendous problems for conservation of this picture . Whereas Leonardo s painting...If you want to get a wax essay, order it on our website: BestEssayCheap.com

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